Cinema-Atlas of the USSR: “In Bryansk Polesie” [Kinoatlas SSSR: “V Brianskom Poles’ie”].

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In the 1920s and 1930s, the scientific and creative community of the young Soviet state was involved in the implementation of the state program “Cinema-Atlas of the USSR”, which implied the accumulation of potential of research institutes and film studios for the production of a documentary film series about the peoples and regions of the diverse, multinational Soviet Union. One of the expressive examples of the parity of ethnography and cinematography in this context was the film “In Bryansk Polesie” (1931). Its creators were, on the one hand, experienced filmmakers, employees of the largest in the country “Soyuzkino” factory, director I.P. Kopalin and cameraman P.P. Zotov, and on the other hand – the famous researcher of the culture of the Eastern Slavs N.I. Lebedeva, representing the interests of the Central Museum of Ethnology. The general architecture of the considered film narrative is a typical example of an early Soviet ethnofilm: the transition of local communities from the “dark past” to the “bright future” is filmed. The article presents the results of the research experience of separating the “Soviet” layer from the “ethnographic” layer in this film document with a focus on its substantive and methodological aspects. It is shown that the film “In Bryansk Polesie” has a multifaceted scientific potential, since it is a multi-layered source for studying both the cultural traditions of the Polesie population and the history of the socialist reconstruction of the region.

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作者简介

Ivan Golovnev

Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera), Russian Academy of Sciences

编辑信件的主要联系方式.
Email: golovnev.ivan@gmail.com
ORCID iD: 0000-0003-4866-7122

д. и. н., ведущий научный сотрудник

俄罗斯联邦, Saint Petersburg

参考

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  2. Grinkova, N. 1928. Review of Narodnyi byt v verkhov’iakh Desny i v verkhov’iakh Oki (Etnologicheskaia ekspeditsiia v Brianskoi i Kaluzhskoi guberniiakh v 1925-om i 1926-om godakh) [Folk Life in the Upper Reaches of the Desna and in the Upper Reaches of the Oka (Ethnological Expedition in the Bryansk and Kaluga Provinces in 1925 and 1926)]. Pt. 1, Priadenie i tkachestvo [Spinning and Weaving], by N.I. Lebedeva. Etnografiia 1: 144–145.
  3. Golovnev, I.A. 2021. Vizualizatsiia etnichnosti v sovetskom kino (opyty uchenykh i kinematografistov 1920–1930-kh gg.) [Visualization of Ethnicity in Soviet Cinema (Experiences of Scientists and Cinematographers of the 1920s–1930s)]. St. Petersburg: MAE RAN.
  4. Golovnev, I.A. 2022. Kino i etnografiia: kontseptsiia Nikolaia Yakovleva [Cinemato-graphy and Ethnography: The Concept of Nikolai Yakovlev]. Etnograficheskoe obozrenie 1: 213–230. https://doi.org/10.31857/S0869541522010134
  5. Golovneva, E.V., and I.A. Golovnev. 2021. Sovetskaia antireligioznaia fil’ma. “Sektanty” Vladimira Korolevicha (1930) [Soviet Anti-Religious Film: “Sectarians” by Vladimir Korolevich (1930)]. Religiovedenie 3: 151–159. https://doi.org/10.22250/2072-8662.2021.3.151-159
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2. Fig. 1. I.P. Kopalin. 1925. Russian State Archive of Photographic Documents (Krasnogorsk)

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3. Fig. 2. Mannequin of a peasant woman in a national headdress from the exposition of the Central Museum of Natural History. Still from the film “In Bryansk Polesie”

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4. Fig. 3. Peasant mannequin from the CMN exposition. Still from the film “In Bryansk Polesie”

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5. Fig. 4. Portrait of a peasant. Still from the film “In Bryansk Polesie”

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